Ratings: Allen Gregory Debuts Weakly

Allen Gregory Allen Gregory looks like he just might be a snotnose whom people dislike. The latest entry in Fox's Animation Domination block debuted Sunday to modest 4.74 million viewers and a 2.4 rating among 18-to-49-year-olds at 8:30/7:30c, overnight Nielsen numbers showed. That indicates people changed channels in droves as The Simpsons' "Treehouse of Horror XXII," which preceded it, spooked 8.01 million, posting a 4.0 demo rating. Fall TV Popularity Contest: We have a winner! In the same hour, Once Upon a Time, starring Ginnifer Goodwin and Jennifer Morrison, looked like it could be a keeper, pulling in 11.64 million (compared with 12.79 million for its debut) and a 3.9 demo rating. With CBS' ratings skewed by a half-hour football overrun, Amazing Race lured 14.29 million viewers (3.5 demo rating), according to the early data. At 9/8c, CBS' The Good Wife attracted 10.12 million people (2.3 rating), whileDesperate Housewives grabbed 9.28 million (3.1), and Family Guy and The Cleveland Show grabbed 5.97 million viewers (3.2 demo rating) and 4.63 million (2.3), respectively. Sunday Night Football again featured a lopsided game. But the Eagles' 34-7 thrashing of the Cowboys wasn't nearly half as bad as the 62-7 final score a week ago (the biggest blowout in the franchise's history on NBC) and managed a night-leading 20.16 million fans and 8.2 demo rating. Check out the rest of the day's news In prime time's final hour Sunday, Pan Am leveled off, getting 5.90 million viewers and a 1.9 demo rating vs. last week's 5.77 million (1.8) - which culminated a downward path that began with 10.87 million, down to 7.75 million, to 6.42 million and to 5.89 million viewers. At the same time, CSI: Miami grabbed 10.14 million people and a 2.0 demo rating. And for the record, the seven-game World Series won by the St. Louis Cardinals wound up averaging 16.6 million viewers, a 16 percent increase over last year's 14.3 million. The final game caught 25.4 million fans, making it the most-watched Series game since 2004, when the Boston Red Sox clinched their first title in 86 years.

Obama Campaign Adds Tumblr to President's Social-Media Platforms

Leader Obama Leader Obama's 2012 re-election campaign has created a Tumblr account, adding to his social-media platforms. "We would like this Tumblr to become huge collaborative storytelling effort - a place for individuals nationwide to discuss what is happening inside our particular corners from this,In . it states online. Obama's teleprompter stolen How can he do without one? It urges people to transmit questions, upload photos with 2012 T-t t shirts, spread jokes and send other Tumblr posts for re-blogging.

Systems Re-think the Ratings Game As Dvr Usage Advances

Kim Coates Precisely what a positive change seven days makes. Many primetime shows are seeing their ratings skyrocket each time a week's cost of Dvr usage is incorporated - and network professionals are scrambling to learn to adjust to a period of time-shifting world.Since Dvr transmission has showed up around 42% of audiences, it's obtaining a genuine impact on viewership - and making the very first next-day ratings that everyone reviews (including live viewing, plus that night's Dvr usage) progressively irrelevant.For example, when season four of FX's Sons of Anarchy first demonstrated September 6, it attracted 4.9 million audiences, many, while not a network record. When seven days of Dvr usage was counted, that number had rose to 6.5 million audiences - which causes it to be most likely probably the most-seen type in Foreign exchange history."The amounts are up to now apart it isn't really funny," states Foreign exchange leader John Landgraf.The fact nearly half of TV audiences now own a Dvr is making numerous TV's top-rated shows a lot more top-rated when all is mentioned and done. ABC's Modern Family leads the Dvr pack, experiencing massive audience boosts once the final time-moved ratings will be in. Due to DVRs, the comedy's second episode, which initially broadcast September 28, eventually added a fantastic 4.5 million more audiences towards the total.Where the live-plus-seven ratings hold the most impact up to now is developing a mess of network boasting rights. Inside the grownups 18-49 demographic, NBC's Sunday Evening Football was no. 1 show for your week ending October 2, posting a 7.7 rating. However when the Dvr amounts showed up, Sunday Evening Football was virtually unchanged (up one percent to 7.8), while CBS' two and a half Males (8.9, up twenty percent from 7.4) and ABC's Modern Family (7.9, up 39 percent from 5.7) leaped in-front.In another example, CBS' Two Broke Women was the most effective-rated new sitcom among grownups 18-49 right before the newest Dvr data - however more extensive live-plus-seven amounts arrived, Fox's New Girl was the bigger beneficiary. Consequently, both shows are tied for first."Part of the problem is if you report live-plus-same-day and single airing ratings, you convey the sense the size from the show is 'x' a lot more reality how big this show is 'y,'" Landgraf states.Meanwhile, the Dvr revolution may also be giving desire to lower-rated shows, their so-so amounts end up searching better once time-shifting is incorporated. ABC's Grey's Anatomy averaged an very disappointing 3.6 rating among grownups 18-49 in week a few the fall TV season. Nevertheless the show got a hefty 41.7% boost due to seven days of Dvr usage, getting its final rating up to a lot more effective 5.1.Exactly the same factor goes for your two-hour premiere of Fox's Terra Nova, which opened up up getting a disappointing 3.1 rating inside the demo. Once the seven days of Dvr usage showed up, the show wound up with a more acceptable 4.4 rating.Which will seem to provide credence to more persistence among designers. Since Dvr usage - additionally to video if needed an online-based streaming - has showed up at critical mass, Landgraf states he usually waits 5 days, until just of ratings details are in, before determining the fate from the show. "You don't know who's watching your show until that time,In . according to him. "The amounts are up to now apart it is not even funny."Professionals are involved that people initial ratings aren't ever cured inside the press - meaning the reduced number for Terra Nova's premiere will most likely constantly be reported, much less later, bigger rating.ABC executive v . p . Rob Bader states he's resigned that initial nightly ratings can get a lot of the attention inside the press. "And then we discovered 2 days later that [among grownups 18-49] Grey's Anatomy really was no. 1 drama of premiere week, and Pan Am and Revenge were the two finest-rated drama premieres. But it's up to now later on," according to him.Ratings including seven days of Dvr usage aren't designed for a few days, which explains why several systems have started offering ratings including 72 hrs of Dvr playback (that exist around the timelier basis). TV Guide Magazine has started using live-plus-three ratings due to its weekly "America's Most Seen" chart.Ultimately, it's another rating that actually matters inside the TV business. The "C3" rating, which measures viewing throughout commercial breaks (including three days' cost of Dvr usage), is what systems target entrepreneurs. "That's what really matters," Bader states. "You don't monetize anything" on live-plus-seven ratings.The C3 ratings aren't broadly released for the public, but according to another Wall Street report acquired by Broadcasting and Cable magazine, the modification to people commercial ratings has furthermore enhanced broadcast network performance - or otherwise, has aided slow network ratings erosion by a few percentage points. The report's author, Michael Nathanson of Nomura Opportunities, states the primary difference has probably introduced to countless extra dollars in advertising revenue for your systems."It's the real story of year,In . states Jerry Bruckheimer TV leader Jonathan Littman. "I now have a look at overnight ratings just like a snapshot, while not a sign. Inside the twelfth season of CSI we're going to a virtually forty percent increase in the demo after DVRs."Subscribe to TV Guide Magazine now!

Entertainment Coalition Creative America Ramping Up Efforts to battle Piracy (Video)

Greater than 60,000 people -- many of them entertainment industry professionals -- have sent messages for his or her Congressman formerly week to assist passage in the Safeguard IP Act, that's presently postponed inside the U.S. Senate.our editor indicates CBS Hit With Major Suit For Contributing To Piracy (Exclusive)'Big Body body fat Hollow Victory' for DISH in Satellite Tv Piracy Battle'Hurt Locker' producer files massive antipiracy lawsuitFrench Setup, Senate OK anti-piracy law The outpouring of support for your bill to avoid foreign-based websites that unlawfully distribute copyrighted content for instance American movies and tv shows is an element from the grass-roots campaign being launched now by Creative America, a coalition produced with the major art galleries, systems, labor unions while others to battle piracy of intellectual property. "Since Creative America was launched, it's produced an growing community of people deeply concerned about the outcomes that content robbery is making American jobs and creativity," mentioned Mike Nugent, the Washington, D.C.-based executive director of Creative America. "Once people know the scope and enormity from the problem, they wish to make a move.Inch Not everyone supports Creative America or perhaps the Safeguard IP Act, including large technology the kind of Google, Yahoo and TiVo, nonetheless they do agree there's an problem that needs fixing. What size an problem? According to Creative America, these foreign websites generate about 146 million visits daily and 53 billion visits every year including illegal distribution more than 500,000 movies every single day worldwide. Nugent introduced that furthermore for the original people in the group, which was produced within this summer time -- including AFTRA, CBS, DGA, IATSE, SAG, Fox, Viacom, Disney and Warner Bros. -- it is added the AFL-CIO, the Association of Talent Agents, the Copyright Alliance, Luxurious Entertainment Services Group Corporation., FilmL.A., the country's Association of Theatre Entrepreneurs, the Producers Guild of America as well as the Stage Company company directors and Choreographers Society. The crowd also provides launched a renovated website at internet.creativeamerica.org to provide info and a means to lobby Congress for your Safeguard IP Act together with other legislation. More to the stage, beginning Tuesday, most people is going to be delivering reps to studio commissaries, TV and movie sets. For instance, AFTRA representative Christopher p Haan mentioned reps will "visit exhibit sets, broadcast stations together with other areas, supplying information and becoming conversations." They can also be offering high quality materials like pens, T-t t shirts then one-sheets supporting your time and energy. AFTRA has sent communications for his or her people and staff and very soon will probably be posting videos supporting your time and energy. SAG has furthermore released videos online which has actor Clark Gregg speaking in regards to the campaign. There's cost-liberated to register, but Creative America hopes these people will finish up their ambassadors within fighting against piracy fitness center abroad. "It becomes an intensive campaign to produce our message for the entertainment community, its employees, providers while others,In . Nugent mentioned. "It'll be grass-roots organizing inside the old-fashioned means by addition to online. We're approaching this just like a political campaign, a kind of get-out-the-election campaign, to produce our voices heard in Washington." However, Nugent balks at being referred to as a political organization and declines that they are a lobbying group. According to him it really comprises a control button on its website so people is capable of to Congress, in addition to their member companies all lobby, however it does not. Nugent mentioned the crowd has hired 2 types of outdoors consultants -Body that's a specialist in causes and mobilizing people for social action as well as the other that are experts in making use of social media to spread this content, while he puts it, "so that it can grow virally through Facebook, Twitter, e-mail and many types of the engines of social media.Inch Since the effort was launched, the crowd, coping with the Film Association of America while others, has labored to seal lower websites that unlawfully distributed copyrighted content. Whatever they weren't in a position to perform is stop content which will come from web servers situated in China, Europe or elsewhere outdoors the achieve of yank law. That's the objective of Safeguard IP legislation. As Nugent describes it, whenever a website is recognized, the crowd visits the U.S. Justice Department, to be able to a judge, to locate a order in the court labeling it an illegal site. That order in the court will then be applied it to pressure payment processors like PayPal and Visa to avoid processing their bank cards and obligations. Next, the crowd uses an order in the court to go to advertising businesses that serve ads on the web and stop them from advertising people sites or funneling money on their behalf from ads. Then inside the most questionable area of the effort, the total amount enables the copyright holders to go to the kind of Time Warner and Comcast delivering Websites to clients and demand they block utilization of people illegal sites. "It's a bad factor because usually security experts do not want anybody to take advantage of the online link to block or manipulate your utilization of any site you need to visit,Inch mentioned Markham Erickson, a Washington lawyer who's executive director in the Open Internet Coalition, which lists among its people Google, Amazon . com . com, eBay, Yahoo, Expedia, Bloomberg, TiVo, Facebook, HSN along with the new the new sony Electronics -- even though new the new sony Pictures Entertainment can be a part of the Creative America coalition supporting the opposing perspective. "We're not towards legislation in addressing the problem,Inch Erickson mentioned. "But we've serious concerns in regards to the bill that has passed the Senate Judiciary Committee which is since need thinking about with the full Senate." Erickson mentioned the current Digital Millennium Copyright Act already covers the identical territory and might be conscious many instances of illegal material being distributed. Nugent mentioned that's true, however the DMCA functions later on as well as a really very long time to take advantage of to acquire satisfaction. The completely new bill might be really provision. Right now the Safeguard IP act is postponed because of opposition from Sen. Ron Wyden, D-Ore., which has mentioned that although he shares the goals in the recommended act, "I am not ready to muzzle speech and stifle innovation and economic growth to get this done objective." Creative America mentioned the same bill will probably be introduced inside the U.S. House of Reps within days. Nugent was adament that there are no first amendment problem so it wouldn't stall innovation. "There is no privacy right that allows you utilize of the illegal website," he mentioned. "We won't know very well what anybody does. We will not view their habits. We won't determine whether they go to a certain site. All i did so is impeding the identifying information using this other site." Erickson mentioned the technology problems this bill would create may be labored with once the backers had labored with Internet engineers and corporations. He mentioned the net service companies don't believe they ought to be forced into the role of policeman on the web, that might not necessarily be possible with new security software being folded to handle potential hacking. Nugent was adament that they are not making these private companies their police. "They are just being asked for to recognition a order in the court to avoid supporting the distribution of stolen content," Nugent mentioned. "They formerly take action with porn. They stop malicious junk e-mail. They'd block someone extorting money. They're doing it if the suits their network interests, to ensure that they ought to be capable of take action because well." Related Subjects SAG Google Clark Gregg Yahoo Amazon . com . com.com MPAA

Best Movie Art Ever (This Week): Marvel-Disney Mash-ups

For comic book fans, next summer's 'Avengers' movie is the realization of a fantasy that didn't seem possible just a few years ago. But as the just-released trailer has shown, what used to be pure imagination is now movie reality. With the big-screen superhero team-up set to arrive in May, it's time for the die-hard Marvel zombies to begin going nuts over the next cinematic milestone -- and now that Marvel Comics and Walt Disney Studios work together, the movie possibilities are endless. Could we see the Incredibles fighting side-by-side with Captain America and Iron Man at the local multiplex? You don't have to wait to find out what that would look like because there's a bevy of talented artists using sites like Flickr, Tumblr and DeviantArt to show off their movie-inspired artwork. From an adamantium-laced waterfowl to a hilarious new acting job for Winnie the Pooh, check out the amazing Dinsey-Marvel mash-up art. Best Movie Art Ever (This Week): October 15, 2011 Epic MisneyFrom the webcomic 'Lil Formers'Incredibles vs. IncredibleA Goofy MarvelLogald DuckerineDisney InvadersThe New Marvel HeroesJ J Jameson's DilemmaAnd finally... See All Moviefone Galleries » Need a close-up of that first photo? Here it is: Our sister site, ComicsAlliance, makes a habit of spotlighting particular artists and/or specific bodies of work, but there's just so much great work to see that they've initiated Best Art Ever (This Week), a weekly depository for just some of the virtually countless pieces of especially compelling artwork that they come across in their travels across the digital media landscape. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by talented fans, and some of it's endearingly stupid. And all of it's awesome. Want more? Check out ComicsAlliance's Best Art Ever (This Week). Follow Moviefone on Twitter Like Moviefone on Facebook RELATED #fivemin-widget-blogsmith-image-257572{display:none;}.cke_show_borders #fivemin-widget-blogsmith-image-257572, #postcontentcontainer #fivemin-widget-blogsmith-image-257572{width:475px;height:357px;display:block;}

CD, Stopline board 'Red Brazil'

RIO DE JANEIRO -- Canada's CD Films and Portugal's Stopline Filmes have boarded two-part miniseries "Rouge Bresil" (Red Brazil), a groundbreaking high-end Brazilian international co-production. Currently shooting in Rio, "Red" turns on the creation in 1555 of the French colony in Rio de Janeiro, and its later destruction, roiled by religious wars. Swede Stellan Skarsgard ("Pirates of the Caribbean," "Thor") is playing the principled French Admiral Villegaignon, the French colony's founder, and Portugal's Joaquin de Almeida ("Fast Five") plays "Red's" villain, Joao da Silva. France Televisions Distribution has taken international sales rights. Marking its final financing mix, "Red" is also produced by Nicolas Traube's Pampa Films in France and Brazil's Conspiracao Filmes, one of Brazil's biggest film-TV companies, in association with Gallic pubcaster channel France Televisions, Globo Filmes and Rio Town Hall equity investment and p&a fund RioFilme. Budgeted at Reais 20 million ($11.3 million), "Red" marks the first high-bracket historical TV fiction investment for Conspiracao, COO Ricardo Rangel said at a presentation of "Red" first footage Wednesday at the Rio Film Festival. It is also the first TV investment by RioFilme, made via a minimum guarantee against international rights, added RioFilme prexy Sergio Sa Leitao. As Brazil's film and TV industry sees exponential market growth -- theatrical B.O. rocketed 156% from 2005 to 2010's $756 million; Brazil's TV market grew 22% in 2010 vs. 2009 to $12.2 billion -- "Red" wasn't the only first unveiled Wednesday at the Rio Fest. Another was RioFilme's first slate financing deal with a producer, Augusto Case's Rio-based pic production house Case, Sa Leitao told Variety. RioFilme has taken equity investments in three movies: 2011 hit release, Jose Alvarenga Jr.'s "Cilada.com," which grossed $15.9 million, and two upcoming 2013 releases, Felipe Joffily's "E ai, comeu," based on Marcelo Paiva's play, and Mauro Mendonca Filho's "No Retrovisor." The slate financing deal rolls off a local comedy boom in Brazil. RioFilme invested originally in Joffily's laffer "Muita calma nessa hora," produced by Case, which grossed $6.5 million in 2010. In yet another first, as the Brazilian film industry rapidly catches up or surges ahead compared with more established film industries in other countries, RioFilme announced its first analysis of its own investment stats. Over 2009-11, it has ploughed Reais60 million ($33.8 million) into 170 projects, spread over festivals, features and shorts. These include 42 features. Total Brazilian B.O. in 2011 on the five films in which RioFilme has invested is 5.5 million admissions, said Sa Leitao. Rate of return on investment for 2011 has run at about 90%, he added. Hardly surprisingly, RioFilme wants more: RioFilme and Brazil's state-backed BNDES bank have now raised Reais18 million ($10.1 million) for a new fund that will invest from 2012 in companies, Sa Leitao added. Contact Variety Staff at news@variety.com

Vaughn re-selected SAG first V . p .

Ned Vaughn, a pacesetter in the Unite for Strength faction, remains re-selected very as first V . p . in the Screen Stars Guild. Vaughn continues for everybody since the lead officer in the Hollywood division in the guild.The Hollywood division board, which has gone to live in some moderate majority since a year ago, selected Vaughn at its meeting Wednesday evening.Anne-Marie Manley, a pacesetter in the dormant Membership First faction, had held the publish between 2008-2010. About 60% of SAG's 120,000 individuals are part of the Hollywood division.Formerly three years, Vaughn remains everyone voice in the self-styled moderates of Unite for Strength. The faction has had the present elections inside the Hollywood Division inside the more assertive Membership First group and contains acquired traction by pushing hard for just about any merger while using American Federation of Television & Radio Artists to produce a single performers' union.Vaughn won a 3-year term for the national board lately, locating the eighth-finest election total from 53 candidates.Vaughn's credits include "Frost/Nixon" and "Courage Under Fire." Contact Dork McNary at dork.mcnary@variety.com

Oka!

A Dada Films (in U.S.) release given Needed Viewing of the Roland Films-James Bruce production. Created by James Bruce, Lavinia Currier. Executive producer, Andrew Fierberg. Co-producer, Norbert Bogbeyate. Co-executive producer, Isaach p Bankole. Directed by Lavinia Currier. Script, Currier, Suzanne Stroh, Louis Sarno, according to Sarno's memoir, "Last Ideas Before Disappearing In the Face of the world.InchWith: Kris Marshall, Isaach p Bankole, Mapumba, Will Yun Lee, Mbombi, Essanje, Peter Riegert. (Sango, Akka, French, British dialogue)If movies were susceptible to sanity tests, "Oka!" will be a crazy old guy having a three-day beard along with a sock filled with kruggerrands under his bed mattress. Suggestive of Monty Python, evocative of Scots novelist William Boyd ("A Great Guy in Africa") and usually disdainful of contemporary stereotypes and patriarchal whitened-guy-on-the dark-region tales, Lavinia Currier's film has got the type of freewheeling sensibility and contempt for conformity that may provide theatrical traction -- even when, in regards to nearly anything within the niche arena, the present climate appears particularly hostile. It could be also as hostile because the atmosphere Ray Whitman (Kris Marshall) finds themself in. Inspired through the real-existence Louis Sarno (adapting his memoir with Currier and Suzanne Stroh), Ray is definitely an ethnomusicologist that has been recording and protecting the background music from the Bayaka pygmies of Yandombe, within the Central African Republic, and it is coming back the place to find Nj to boost funds. When his acerbic physician (Peter Riegert) informs him he's dying, he decides to not wait for liver transplant and rather presses a wealthy patron to invest in another visit to Africa, so he is able to finish his focus on the Bayaka. Ray finds a " new world " changing in Yandombe. He's still the highest, whitest guy around, however the Bayaka happen to be obtaining a difficult time in the Bantu, whose mayor, Bassoun (Isaach p Bankole), has moved the pygmies right into a more compact village and forbidden them from entering their sacred forest. Bassoun is wishing to market the timber privileges to some predatory Chinese businessman, Mr. Yi (Will Yun Lee). The encroachment from the modern around the ancient is really a major theme, both narratively and aesthetically, in "Oka!" (the Bayaka word for "listen"), and upkeep is Currier's apparent message here. But Ray is a lesser messiah than the usual stand-set for the crowd he towers comically within the pygmies, who all make affectionate fun of him. One of the most mischievous local people is Sataka (Mapumba), the tribe's great hunter, who, together with his wife, Ekadi (Essanje), went into the jungle to flee the capricious rule of law. What's refreshing about "Oka!" is its aversion to the type of cliches the Bayaka people exhibit just as much self-interest as anybody, they will use Ray for those he's worth, and they've their decidedly craven side. Sataka's daughter, Makombe (Mbombi), on whom Ray evolves a crush, plays him just like a seafood. Still, the Bayaka would be the sufferers here: Bassoun really wants to frame Sataka to have an elephant killing and accuse the pygmies of poaching, that will enable him to maneuver the Bayaka permanently out, and Mr. Yi in. While Ray is really a hero, he's only one of many, just like the film is just partially a farcical dramedy about endangered people. It is also a character film, the wildlife from the Central African Republic playing a prominent role within the visual storytelling, and Currier eschews the lions and tigers and bears for a lot more hideous and fascinating types of African wildlife. But almost all the species observed in "Oka!" receive a brand new groing through, including homo sapiens. Production values are usually good, d.p. Conrad W. Hall's work exceptional in taking the smoothness of Africa.Camera (color), Conrad W. Hall editors, Kristina Boden, Nic Gaster music, Chris Berry, the music artists of Yandombe production designer, Alexandre Vivet costume designer, Delphi Squires seem (Dolby Digital), David Monacchi line producer, Jean Aubert p Tregomain casting, Lisa Hamil. Examined on DVD, NY, March. 11, 2011. (This Year Telluride Film Festival.) Running time: 106 MIN. Contact the range newsroom at news@variety.com

Macedonia selects 'Punk's Not Dead' for Oscars

PRAGUE -- Macedonia has selected as its Oscar foreign-lingo entry Vladimir Blazevski's "Punk's Not Dead," a scrappy road movie that evokes the same fiercely independent spirit that typifies this small Balkan country. The pic focuses on hero Mirsa, an former singer from the band that once ruled the Macedonian punk scene. Now 40 and still living with his mother, he gets by selling drugs for a fearsome Albanian. The dealer then hatches a "Blues Brothers"-style mission to reunite the band for a benefit concert in a town with a repressed Albanian majority. Karovy Vary fest, where the pic won the East of the West section for films from the former East bloc, praised Blazevski's script and pic's documentary style, saying it achieves "a sense of absolute conviction." Fest jury also noted pic's "contagious energy." It later won honors at Pristina's fest. London's Raindance fest has also programmed the film. Contact the Variety newsroom at news@variety.com

Watch The Hangover 2 For Free

New Trailer For The Lady Online

Luc Besson's Aung San Suu Kyi biopicA few weeks on from the teaser, here's a full trailer for The Lady, Luc Besson's biopic of the Burmese opposition leader Aung San Suu Kyi, starring Michelle Yeoh and David Thewlis.As you'd expect, much more is revealed this time, both in terms of the film's epic sweep, and its more intimate focus on the dynamic-but-conflicted Yeoh (Suu Kyi) and a weary-looking Thewlis (Suu Kyi's husband Michael Aris, who was suffering from cancer during the period the film covers).Suu Kyi is known as The Lady by the Burmese population, since mention of her actual name is forbidden. Shespent fifteen years under house arrest in Rangoon, after her National League For Democracy won 60% of the vote against the Burmese military Junta in the 1990 general election, but the results were declared void. She was finally released last November. Rather than take in her whole story, the film takes place in the years between 1988 and 1999.Besson calls Suu Kyi "more of a heroine than Joan of Arc," and describes her cause as "the fight of a woman without any weapons but kindness." The Lady is out in most of Europe in November and December, but there doesn't seem to be a UK release date so far.

Watch Movies

A Much Better Existence (Une vie meilleure)

A L'ensemble des Films du Lendemain presentation in co-production with Maia Cinema, Cinemaginaire, Mars Films, France 2 Cinema, using the participation of Canal Plus, France Televisions, Cine Plus, using the support of los angeles Region Ile-p-France, Center Images-Region Center, in colaboration with Soficinema 7 Developpement, Soficinema 7, La Banque Postale Image 4, Manon, Cinemage 5, using the participation of Telefilm Canada, Societe p Developpement des Entreprises Culturelles, Quebec Credit d'impot Cinema et Television -- Gestion Sodec, Credit d'impot Pour Film ou Video Canadien. (Worldwide sales: Wild Bunch, Paris.) Created by Kristina Larsen. Co-producers, Gilles Sandoz, Denise Robert, Daniel Louis. Directed by Cedric Kahn. Script, Kahn, Catherine Paille.With: Guillaume Canet, Leila Bekhti, Slimane Khettabi. (French dialogue)A prepare, his g.f. and her youthful boy find it difficult to pay the bills in "A Much Better Existence," a steadily made, psychologically effective hard-luck drama that nevertheless feels as though a rather odd fit for Gallic thriller specialist Cedric Kahn. Throwing off a couple of brisk, dramatically chiseled reels before settling into an progressively bleak cycle of poverty and misfortune, this well-behaved item basically boils lower to some Euro-Canadian "Quest for Happyness" having a steelier, less sentimental edge. A powerful lead performance by actor-helmer Guillaume Canet could raise the film's already respectable offshore prospects following its The month of january rollout in France. Script by Kahn and Catherine Paille demonstrates a nice feeling of narrative economy in early stages, zipping assuredly with the initial phases of the relationship between Yann (Canet), a thirtysomething Parisian prepare, and Nadine (Leila Bekhti), the gorgeous French-Lebanese waitress he chats up in a restaurant where he's searching for work. The 2 fall rapidly but deeply for each other, while Yann also becomes near to Nadine's 9-year-old boy, Slimane (Slimane Khettabi). Trouble rears its mind not lengthy following the enthusiasts impulsively purchase a large lakeside property inside a secluded province using the aim of making it a cafe or restaurant. Probably the most satisfying facets of "A Much Better Existence" is its focus on the entire process of small-business acquisition the dangerous turning financial loans Yann uses to invest in the acquisition and also the particulars of restaurant sanitation code might not seem such as the stuff of riveting drama, however for a remarkable stretch of screentime they're. Pic persuasively demonstrates not just the way a couple of questionable choices can get out of hand, but additionally how rapidly tenderness and affection can look to bitterness and emotional violence when confronted with crippling poverty. More often than once, Yann and Nadine arrived at verbal if less than physical blows, passed by Canet and Bekhti having a canny embodiment of passion and frustration. So when a given-up Nadine leaves France to consider a apparently lucrative job in Montreal leaving Slimane behind, Yann and also the boy begin their very own tough dynamic within the film's more grinding other half. To not be mistaken with Chris Weitz's recent "A Much Better Existence" (though that drama also hinged on the father and boy beset by financial desperation), Kahn's film consists of nary just one unconvincing moment, ratcheting in the emotional tension with one believably soul-crushing circumstance to another. From Yann's tense discussions having a stern but good-hearted financial counselor to his fury at Slimane once the boy requires a risk they literally can not afford, the drama remains dramatically focused and particular towards the finish. When the result disappoints slightly, it's due largely towards the nagging familiarity of setup and destination, especially from a director most widely known for his twisty thrillers of sexual stress for example "Red-colored Lights" and "L'ennui." Pic is with confidence hired in most departments, offerring a particularly vivid feeling of the cramped, crowded quarters by which this makeshift family frequently finds itself -- first a rundown trailer home, a squalid apartment.Camera (color, widescreen), Pascal Marti editor, Simon Jacquet music, Akido set designers, Francois Abelanet, Emmanuel Frechette costume designer, Nathalie Raoul seem, Olivier Mauvezin, Marie-Claude Gagne, Sylvain Bellemare, Olivier Do Huu. Examined at Toronto Film Festival (Special Presentations), Sept. 10, 2011. (Also in Tokyo, japan Film Festival.) Running time: 111 MIN. Contact Justin Chang at justin.chang@variety.com

Biz stocks tumble among ad fears

Sun and blue skies in Southern Manhattan Friday, the final day's a stormy third quarter on Wall Street, unsuccessful to calm fears of some other recession coming. Major stock indexes declined and also the S&P 500 was lower 13% for that quarter -- its worst showing because the peak from the financial crisis at the end of 2008. The large five showbiz stocks -- Viacom, CBS, Time Warner, News Corp. and Disney -- that have outperformed the general market throughout the current downturn felt the discomfort as traders socked something that smelled even vaguely of advertising. The punishment came despite aggressive stock buybacks, which traders love, and usually strong companies. "Clearly the road is anxious in regards to a recession," stated Alan Gould, mind of media research at Evercore Partners. He yet others cite chaos within the Euro-zone and also the perception of political gridlock and slowing down growth Stateside -- a double whammy that's convulsed worldwide marketplaces for the majority of the summer time and fall, and is not disappearing. "Advertising has organized to date. However I guess the very first time, in the last couple of several weeks, individuals have been asking me when the ad market will hold, and what it really means of these companies," Gould stated. "It's a time period of worry," agreed fund manager Sal Muoio of S. Muoio & Co. -- a lot of it overdone in the opinion, especially regarding media stocks. Market psychology eats itself. "People worry because individuals are involved,Inch he stated. Consequently, some media stocks are buying and selling like so-known as cyclicals, which follow economic good and the bad, once they should not be, he stated. "Some are plus some aren't. All of them trade on advertising generally. But in my experience, these are the most bulletproof companies you'll find.Inch Large cable developers like Time Warner and Viacom have multiple revenue streams. More compact gamers like Discovery Communications saw revenue increase in 2008 and '09 when confronted with the huge economic slump. Even CBS Corp., probably the most uncovered from the major congloms to advertising, has varied its business to lessen exposure. It is also probably the most viewed broadcast network, and it is getting a kicker of the fall season. CBS stock overall outperformed peers last year and into 2010. Muoio sees deals in media space as stocks tumble. The Attention fell 2.8% Friday to shut at $20.38, but is lower an astonishing 28% in the finish of June. Sister company Viacom dropped 4.9% at the time to $48.36, and it is off 15% for that quarter. Disney, which reduced 1.6% to $30.16, fell nearly 23% throughout the quarter. Time Warner lost 2.8% Friday, closing at $29.97, and fell nearly 17% around the quarter. News Corp. dipped 2.8% during the day to $15.60, and fell about 13% for that third quarter. Ironically, News Corp. has organized the very best of the audience in the last three several weeks despite an enormous phone-tapping scandal within the U.K. that transfixed the media world for a lot of the summer time and it has put chairman-Boss Rupert Murdoch and the boy James within an unflattering light. The greatest casualty within the showbiz space undoubtedly was Netflix, which in fact had its value chopped by over fifty percent from $262 a share to around $113. It closed unchanged Friday at $113.27. Area of the drop was likely a correction to the high-flying valuation. Then, splitting the business's business in 2 between catalog shopping and streaming has triggered Boss Reed Hastings no finish of grief, and the other slide within the stock. "Reed Hastings has not made a lot of mistakes," Gould stated. However in the forex market, it is best to not make any. Contact the range newsroom at news@variety.com